As an iconic building in Ikelite City, the Ikelite Opera House has become a symbol of Hutton's culture and tourism.

Its striking architectural design, superior acoustics, and thriving performing arts have won praise across the South Continent, making Isatia and Migaya proud.

"By the way, I also helped shoot that promotional music video."

Isatia said to Migaya.

"So it was you."

Migaya looked up, watching the promotional music video playing on screens large and small all around the Ikelite Opera House.

In it, Isatia and several other members of the Great Demon Clan appeared only as background 'Little Angels', occasionally appearing while observing the main characters from afar, with a brief enactment at the end.

Joining her were four other female members of the Great Demon Clan.

The footage ended, and then began replaying.

"..."

Migaya gradually fell silent, focusing intensely on the screen images on the opera house's towering walls.

A powerful rhythmic drumbeat started, transitioning into the sound of high heels hitting the ground.

In the footage, high heels struck the marble floor, producing a crisp and frequent sound.

Initially, Migaya thought it was just a casual promotional music video shot by Abigail on a whim, thus enlisting five readily available members of the Great Demon Clan. But now it seemed like an art-grade music film recording.

The female lead of this short film was once again played by Hyperion.

The opening slowly revealed her striding quickly through an office building in Ikelite, dressed in a black dress.

People seemed unable to see her, allowing her free passage among them.

Yet, simply by looking at a woman in front of her and then at a man beside her, she could make them fall in love.

Her role was like that of a Love God, with a cold gaze and devoid of emotions.

As a Love God, her responsibility and power were to make people fall in love, but her divine identity could never be seen by mortals.

She possessed the ability to make anyone in this world fall in love, yet could never attain love herself.

Thus, over the long course of time, she numbly and solitarily wandered among people, fulfilling her duties while being consumed by loneliness.

Until the scene switched to one day in Hutton Art Museum.

The Love God Hyperion noticed the male lead leisurely admiring an epic oil painting nearby.

The male lead, played by Lanci, was a painter by profession.

The Love God should have looked at another woman to find a loving partner for the painter, but this time she was inexplicably captivated, her gaze fixed on the painter.

The Love God continued to follow the painter, filled with curiosity as she sought his presence, forgetting her own work.

Soon after, in a torrential rain, she made a decision, accepting the baptism of the mortal world, shedding her divine guise, and laughed madly with a sense of relief.

The next day, the painter's door was suddenly knocked on.

The painter opened the door to find the Love God, played by Hyperion, transformed into a human, wearing a white dress, with the graceful and lovely demeanor of a maiden.

The maiden seemed to have gathered the courage to knock on the painter's door.

Following was their silent conversation amidst music and song. Soon, they began knowing, falling in love, and all the frames turned into records of their sweet life together.

The happiness continued.

It seemed that such blissful days would go on forever.

The scene transitioned to a day when the Love God and the painter were supposed to meet at a street corner during a date.

As the traffic signal changed, the bustling crowd began to step onto the crosswalk, and the painter smiled and waved to the Love God as he approached from the opposite side.

The Love God also beamed as she walked towards the painter.

Suddenly.

A figure strolled from behind the painter.

The music halted abruptly, replaced by a reverberating echo akin to tinnitus.

The figure behind the male lead was another Love God, played by Talia.

She silently smiled without speaking, merely watching Hyperion.

In this silence.

Hyperion was startled.

She realized her act of transcending the boundary between gods and mortals had been discovered by her superior. In her panic, she accidentally reclaimed her Divine Power, inadvertently glancing at a passing light-haired woman on the road.

Just like that, the male lead painter who was smiling at Hyperion in the previous frame.

Was obscured by the passerby, and when he reappeared, his face no longer bore a smile.

It was as if he had forgotten Hyperion or could not see her at all.

Yet he noticed the light-haired woman, whose purple eyes met his gaze.

The two seemed to develop an interest in each other, but whether a story unfolded afterwards is left to the audience's imagination, as the scene froze at this moment, focusing on Hyperion's sudden disillusioned expression.

In the song's final part, Hyperion returned to being a Love God, casually walking through the temple corridors in a beautiful dress.

She was drawn by a distant singing voice.

「♫ Awake ~」

「♫ I won't resist your shadowy charm ~」

The voice was ethereal and healing, resembling a lullaby yet akin to a morning prayer hymn.

She slowly walked over, seeing the five 'Little Angels' dancing under the statues, flying buttresses, and murals, soothing her with song and dance.

At this point, the screen turned into a black curtain, leaving behind the preview subtitle for the "Holy War Romance - Cinderella" chapter.

"Dear, dear."

Isatia shook Migaya's arm, bringing her back to her senses, and redirected her focus away from the music promotional video.