It''s dark in the studio. Standing in front of the camera lens, Henry Carville in black uniform looks like a hill, full of explosive power, like a tiger about to go down the mountain. He feels very dangerous all over.

    After the "city of chaos" tempering, coupled with makeup, clothing and camera assistance, Henry Carville''s aura is obviously stronger than before.

    Across from Henry Carvel, a few people dressed like him were tied up and squatted there.

    The play is very simple, just a few lines of dialogue.

    But this simple play is not a simple theme.

    "Why do you have this right?" In the face of Chris Dann''s persuasion, one of the imitators asked aloud, "what do you think is the difference between you and us?"

    Henry Carville did not have any expression, coldly dropped a sentence, "I do not wear hockey chest."

    Then he turned away in silence.

    “CUT！” Murphy called to the crew to stop, "this one''s over!"

    After all, with "city of chaos" as the basis, the shooting is much smoother. Besides, Henry Carville is wearing a mask, and Murphy doesn''t ask him how good his acting skills are. The only sound that requires more stringent requirements can be synthesized through post production.

    The crew has entered into a brief adjustment to prepare for the next play.

    Today, Margot Robbie, who has no part in the play, stands on the periphery, watching Murphy directing the whole crew with Gail gado.

    "Gail..." Margot Robbie suddenly asked, "why did Chris Dann give such an answer?"

    Although Chris Dann satirized the other party''s question in a humorous way, he did not answer the question directly. Gail gado saw it more clearly, "because Chris Dann had nothing to say about that question."

    "Speechless?" Margot Robbie looked at her strangely. "Why do you say that?"

    "It''s very simple. Why does Chris Dann have the power to break the law?" Gayle Murphy turned to the commercial theme of the movie, which one I think is the deepest

    Margot Robbie still didn''t understand, so he could not help asking, "Chris Dann is fighting crime. Isn''t his appearance to save the chaotic and dark city of New York? He''s not the embodiment of justice? Is it the New York police? "

    "Honey, when I was in college, I studied law. There was never a policeman in law!" Gail gado said seriously, "should individuals, even people like Chris Dann, be above the law?"

    "Er..."

    Although there is no special study of law, Margot Robbie also knows some basic common sense. According to the normal saying, no one or team can be above the law.

    Just as they were discussing, Murphy asked the crew to start shooting again.

    Christopher waltz has been standing in front of a green curtain with Henry Carvel.

    Murphy and filie Raschel each operate an IMAX camera, from the same side of the 45 degree position, non-interference shooting Christopher waltz as Sheriff Lynch and Henry Carvel as Chris Dann dialogue.

    Standing in front of the green screen, Henry Cavell said to Christopher waltz, "is it beautiful? Is that right? "

    "What is this?" asked Christopher valzdo, puzzled

    "It''s through a receiving device that transmits high frequency." Henry Carville said seriously, "one of the devices left by Reiner''s organization in New York can turn every mobile phone in New York into a loudspeaker!"

    "It''s beautiful," says Christopher Waltz coldly, as a policeman, "but it''s immoral and dangerous."

    He looked rather serious. "As long as half of your cell phones are your sonar source, you can monitor the whole of New York. It''s wrong."

    "Lynch!" Henry Carvel slowly clenched his hands with Kevlar''s gloves. "I have to find that man, find the magician!"

    "But at what price?" Christopher Waltz''s worried rhetorical question.

    He is a realist, so it is very clear that it is difficult for the police and the law to restrain Chris Dann. Once he breaks through his bottom line, he will become as dangerous as Reiner and the magician.

    Henry Carvel was silent and did not answer him, and now Chris Dann has no time to discuss these questions about morality and democracy.

    After a while, he said, "I want to restore the peace of the city."

    Still, Christopher Waltz frowned, "this power is too powerful for a person."

    Not far away, Gail gado and Margot Robbie have been paying attention to the shooting site in front of the camera. They are also nodding. They obviously agree with Christopher Waltz''s lines. If there is a real person in the real world who can monitor their everything through the device, it''s creepy.Sitting behind the director''s monitor, Murphy comes up with another thing. This country is far less democratic than what he preaches. The degree of being monitored, such as prism door, etc

    He shook his head and his energy returned to the set.

    Henry Carvel stares at Christopher valds. "I''ve found my place as a magician. I need you to give me some time!"

    "Where is it?" Asked Christopher waltz.

    "Follow the signal above." Henry Carvel didn''t answer him. He just threw a receiver to Christopher waltz. "The last place I stayed was where the magician was!"

    Henry Carvel turned and walked out. Just as Christopher Waltz wanted to ask what to do with the monitor, he raised his hand and pressed a transmitter.

    However, the two faced with the green screen before, of course, there will be no reaction, these effects have to be added through post production.

    "Stop!" Murphy stood up from behind the camera and exclaimed, "this one''s over. All departments reset. Take a ten minute break. Shoot again in ten minutes."

    Then he said to Philip Raschel, "follow the plan, close-up!"

    Since IMAX company only provides two IMAX cameras, in the shooting just now, Murphy''s and Philip Raschel''s cameras are used to capture and shoot panoramic shots respectively, which can not take into account the close-up of actors. This is the limit of the number of equipment, and the best solution is to shoot more times.

    Although there are a lot of IMAX cameras, Murphy uses msm.9802 film cameras. At present, there are only four in the world, and the other two are in other groups. These two are the biggest resources IMAX can allocate.

    Msm.9802 film IMAX camera is the most widely used IMAX camera in Hollywood. The one that was hung in TDK shooting is this model. This machine is very commonly used. It has been used in variable 2, disc 4, dark knight, dark knight rise, trek, hunger game, star, star 7, super baton and so on.

    However, this machine can only make 2D films. If the films made with it become 3D, it must be 3D in the later stage.

    In the past, IMAX cameras were built on the basis of film, but the technology is constantly developing. Today''s IMAX cameras have a digital version.

    Phantom.65 recently launched by IMAX company is a 3D digital IMAX camera, which is used in films such as transformers 3.

    This camera is more convenient than the traditional IMAX film camera, but for his own goal, Murphy chose to use film shooting, can only give up the more advanced phantom.65 camera.

    As the soul of the whole crew, Murphy''s use of IMAX cameras will be more frequent and in-depth than that of the previous movie "city of chaos." city of darkness "will also be the film that uses IMAX lenses most so far. After Fox''s additional investment of $20 million in the 20th century, he has increased the proportion of shooting lenses to 65% to 70% 70 percent.

    In the face of a large amount of money, IMAX company provides Murphy with a strong technical support. These heavy cameras are made by hand, each with a different personality, but they are basically of the same standard, and all parts can be exchanged.

    Each IMAX camera is equipped with its own fixed focus lens, which can be divided into 40mm, 50mm, 80mm, 110mm, 150mm and 250mm. Many of the lenses are also equipped with a 65mm adapter ring t2.8 aperture and a middle frame Hasu camera lens, so the focusing of the camera lens will not be affected easily.

    Focusing of IMAX camera is a very troublesome thing. In the past, Philip Raschel couldn''t focus manually in some lens shooting, so he needed to use the remote focusing device with torque motor to operate the whole process.

    During the preparation period, Murphy put forward some requirements for the use of IMAX cameras based on his previous technical experience, allowing IMAX technical engineers to improve some lenses and make a new viewfinder.

    IMAX''s technical engineers abandoned the IMAX mechanical parts in the 80mm lens and replaced them with a movie sized panavism converter. They also reconstructed the head of the whole lens to fit a mechanical aperture device according to Murphy''s requirements.

    The transformation of the lens with the aperture of 50 mm and t2.5 is different. People from IMAX company put most of the lens into a new lens barrel and transformed it into a more stable lens converter.

    In addition, according to the construction principle of the reverse telephoto lens, they also made a custom lens with a 50 mm, T2 aperture.

    These are the basis of shooting. Without good enough equipment, the best idea can only exist in the director''s head and paper.

    Remove the green screen and adjust the camera position. Murphy and Philip Raschel control an IMAX camera and start shooting close-up shots.