CHAPTER 51: HEAVENLY ASURA COMBAT TECHNIQUE

Ethan sat alone in the center of the cavernous training hall. The skylight above poured a solemn silver glow across his white training garments. His breathing was slow, measured, yet each exhale carried the hushed power of someone far beyond ordinary limits.

His mind was occupied by a singular thought—he was growing too strong. It was a blessing that had become almost burdensome. With a single stroke of his sword, he could cleave through mountains and annihilate opponents in the same cultivation realm or even higher realms like slaughtering dogs and chickens. A flick of his blade would end conflicts before they even began.

And yet, in that instantaneous finality, there was no artistry. No struggle. No true expression of the warrior’s path he revered.

He was not merely a killer. He was a man who loved combat itself—the flowing of blood, the surge of adrenaline, the poetry of a contest fought on equal footing. More importantly showing off. This was the main theme.

If he continued down the sword’s path alone, he would never taste the satisfaction of an extended duel, never feel the subtle give-and-take of a worthy opponent resisting his advances. He could never feel those feelings about being praised and awed by the people around him.

He needed something more...something grand, expressive—a fighting style worthy of the Hunt family’s sole heir, something worthy of Ethan Hunt.

His gaze fell on the training dummies lined up along the far wall. The polished metal mannequins were designed to withstand tremendous force, their surfaces marred by shallow grooves from past sessions.

He imagined how easily his sword could split them in half, and he felt a twinge of dissatisfaction.

No, he thought, clenching his fist, a sword should not be used on the unworthy. That would be disrespectful to the king of weapons.

Instead, he envisioned himself surrounded by powerful forces—envoys from rival clans, agents of hidden sects—who would inevitably try to test him. They would provoke, probe, measure his strength by any means necessary.

He smiled faintly.

Let them try.

He would not greet them with the edge of his sword. He would answer them with the grandeur of his own hands.

In his past life, he had been fascinated by freehand combat. Though he had never formally studied it, he had devoured countless writings, watched thousands of hours of footage—ancient Chinese kung fu, Japanese martial arts, Western boxing, Southeast Asian techniques, all of it.

And now, with a mind that worked like a supercomputer—enhanced by spiritual power, strengthened by an unbreakable physique—he had the means to reforge those memories into something unprecedented.

He closed his eyes.

Begin recollection.

Within the dark canvas of his consciousness, a luminous panorama emerged—slow-motion sequences of martial artists exchanging blows in dusty rings, sparring in bamboo courtyards, battling on rain-slick rooftops. Every detail, every nuance of motion, reconstructed with perfect fidelity.

His brain didn’t just remember these techniques; it transformed them into living diagrams, three-dimensional holograms hovering within his thoughts. As he watched, his spirit power gently unspooled across his nervous system, synchronizing mind and body.

What should my technique look like? he asked himself. What is its soul?

A single image bloomed in answer:

Majestic in posture, brutal in execution. Movements grounded in perfect biomechanics and rhythm. Every strike intelligent, deliberate—never wasted. When he fought, people wouldn’t just see a man throwing punches. They would see a divine warrior, a transcendent presence forged by war itself.

He let the image settle deep into the marrow of his being. This was the core philosophy. Now came the hard part: taking scattered fragments of foreign arts and melding them into a seamless whole.

One by one, the disciplines floated before him.

1.Boxing(Western)

He observed a phantom boxer bouncing lightly on the balls of his feet, shoulders rolling in a hypnotic rhythm. The jab flashed out, crisp and precise, snapping an invisible chin backward. Footwork drew tight arcs across the canvas.

Ethan studied every angle of movement: the shifting weight, the evasive head movement, the subtle tensing of the abdominal wall before each punch.

Yes,that was boxing.Supreme footwork. Unbreakable rhythm. Upper-body mastery.

He began moving his own body in time with the phantom. First slowly—heel to toe, heel to toe. Then faster. His hips loosened, shoulders swaying. His fists found the beat of an invisible war drum.

When he finally opened his eyes, he was no longer merely copying. He was embodying.

2.Karate(Kyokushin):

Next came the stoic figure of a Kyokushin karateka. Upright stance, eyes calm and unblinking. A roundhouse kick ripped the air apart, followed by a punishing straight punch that seemed to echo across the hall.

Direct power, internal control, Ethan noted.

He adjusted his posture, spine perfectly vertical. Energy pooled in his abdomen. When he thrust his palm forward, the impact sent a thunderclap rattling the walls.

He transitioned seamlessly into a savage roundhouse, the torque in his hips compressing like a spring before exploding outward.

Even in stillness, there was the promise of devastation.

3.Silat(South east asia):

A new silhouette materialized—fluid, crouched, coiled like a serpent. The practitioner glided in with deceptive softness, only to seize an arm and twist it behind the opponent’s back in a brutal lock.

Joint manipulation. Weaponized body. Deceptive angles.

Ethan watched the demonstration over and over, his mind mapping each movement with surgical precision.

Then he practiced it himself: stepping off-line, redirecting phantom strikes, capturing limbs in midair.

His body felt different—more agile, more dangerous.

4.Pencak Silat and Krav Maga(for fluid brutality) :

Two figures appeared this time, interwoven in a seamless display of pure efficiency. One minute they were upright; the next, they were driving knees into ribs, delivering knife-edge chops to the throat, kicking knees sideways at impossible angles.

The violence was clinical, almost serene. No flourish. Only purpose.

Calm ferocity, Ethan thought. When I move, it must look effortless—but end any confrontation in seconds.

He integrated their principles by flowing through combinations: block, strike, break, throw. His body became an instrument of pitiless resolve.

5.Baguazhang(For foot work)

At last, a lone practitioner began circling an imaginary foe, steps tracing an endless spiral. Hands moved in whorls of energy, redirecting attacks before they could find purchase.

Circular walking. Total control of the field.

Ethan stepped onto an invisible circle. Every rotation left his phantom opponent exposed. His breath flowed evenly as he pivoted, his gaze locked onto a single imaginary point.

I will always be behind them, he resolved. Always dictating the pace.

Bit by bit, the disparate styles started dissolving into each other. The transitions grew smoother, the concepts more integrated.

Hours passed. His white garments clung to his skin, damp with sweat. The training room seemed to fade away, replaced by the vivid theater of his mind.

He imagined an enemy striking from the front—he slipped aside with Baguazhang footwork, his body pivoting in a perfect arc. As the attacker’s arm whistled past, Ethan’s Silat-trained hands seized the elbow and twisted. The joint locked.

Before the phantom could recover, he stepped in with the upright posture of Karate, driving his knee into the gut. The enemy doubled over.

And then—Boxing. A short, snapping uppercut under the chin.

The silhouette collapsed to the floor, unmoving.

Again, Ethan whispered.

He replayed the sequence with slight adjustments—redirecting to the left, attacking from the flank, applying less force.

He practiced dozens of permutations, controlling the output with surgical precision.

Unlike a sword, his fists and legs offered infinite gradations of power. He could subdue without killing, dominate without mutilating.

By evening, his mind felt crystalline. He had not only memorized these arts—he had transcended them.

He named the style quietly, reverently:

Heavenly Asura Combat.

It was not a collection of borrowed techniques. It was an extension of himself.

He stood, his muscles thrumming with readiness. With a thought, he conjured ten phantoms in a loose circle around him. Those were his clones with very little powers.

They attacked in unison.

He flowed between them like water given human form. A weaving step here, a pivot there, a counter-strike so elegant it looked choreographed. Every movement contained the lethal potential of his sword—but restrained, disciplined.

He could end them, but he chose not to.

At the conclusion of the simulation, he exhaled a long, steady breath.

This, he thought, is what I needed.

A technique worthy of the Hunt family’s heir. A technique that would awe the powerful and humble the arrogant.

He looked down at his hands, flexing them experimentally.

In a few hours, emissaries from rival powers would arrive. They would come cloaked in courtesy, yet dripping with hidden malice.

He welcomed them.

Because tonight, they would see for themselves:

Ethan Hunt did not require a sword to be invincible.

He moved toward the door, each footstep radiating quiet confidence.

When the world demanded to see his strength, he would show it—not in a single swing of a blade, but in the artistry of the Heavenly Asura Combat.

And when those watching tried to measure him, to predict him, to contain him, they would learn the same truth, again and again:

There was no limit to the heights he could climb.

Only Ethan himself would decide how far he would go.